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Titlebook: Rural Cinema Exhibition and Audiences in a Global Context; Daniela Treveri Gennari,Danielle Hipkins,Catherine Book 2018 The Editor(s) (if

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樓主: 警察在苦笑
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發(fā)表于 2025-3-30 11:10:49 | 只看該作者
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發(fā)表于 2025-3-30 13:44:48 | 只看該作者
The Use of Geographical Categories in Cinema Studies: An Ontological Examinatione them is an important issue this chapter seeks to address. By deconstructing the geographical categories of urban and rural, this chapter deals with the complexity of using geographical categories and offers some tools to better interpret the main contributions presented in this book.
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發(fā)表于 2025-3-30 19:58:59 | 只看該作者
Rurban Outfitters: Cinema and Rural Cultural Development in New Hampshire’s North Country, 1896–1917uffer population loss and stimulate fresh flows of people, ideas, and commerce. These networks mediated cinema’s relation to existing practices, regulating the timing, speed, and direction of cinema’s development as it was transformed around feature films and purpose-built movie venues.
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發(fā)表于 2025-3-30 23:51:50 | 只看該作者
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發(fā)表于 2025-3-31 03:42:07 | 只看該作者
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