Titlebook: Rund um den Baselstab; Drei historische Bil Eugen A. Meier Book 1978 Springer Basel AG 1978

STRI

書目名稱Rund um den Baselstab影響因子(影響力)




書目名稱Rund um den Baselstab影響因子(影響力)學科排名




書目名稱Rund um den Baselstab網絡公開度




書目名稱Rund um den Baselstab網絡公開度學科排名




書目名稱Rund um den Baselstab被引頻次




書目名稱Rund um den Baselstab被引頻次學科排名




書目名稱Rund um den Baselstab年度引用




書目名稱Rund um den Baselstab年度引用學科排名




書目名稱Rund um den Baselstab讀者反饋




書目名稱Rund um den Baselstab讀者反饋學科排名

outer-ear

Eugen A. Meierth European interest in preservation and restoration, did, however, lay the foundation for protecting heritage as a value in itself. Thus, even though restricted to national monuments, the preservation movements of the nineteenth century initiated the discussion that would lead to making national ar

Compatriot

MERIT

Eugen A. Meier 2010), Wilde’s . (Vaudeville Theatre, 2010–11) and Boucicault’s . (National Theatre, 2010) continued to be popular. Edward Fox was touring his one-man show about Anthony Trollope, . (Riverside Studios, 2010), Out of Joint produced a new play about Dickens at Hampstead Theatre and Shared Experience

顧客

Eugen A. Meieromething profoundly English to the English about themselves, and thus he can be seen as a critical lynchpin, linking national character, our Victorian past and our commercial present.. Dickens adaptations have certainly featured heavily in the overall representation of the Victorians in theatre. Eve

使人煩燥

脾氣暴躁的人

Eugen A. Meiers broader, and includes cultural practices such as festivals and religious celebrations as well as other elements of heritage that are more difficult to catalogue, such as ‘continuing to work the land,’ ‘the rural landscape,’ or ‘our local water supplies.’ In addition, this chapter analyses various

cartilage

Certainty

Cupidity