Titlebook: Ruins in the Literary and Cultural Imagination; Efterpi Mitsi,Anna Despotopoulou,Emmanouil Aretoul Book 2019 The Editor(s) (if applicable)

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Chivalrous

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The Fractured World of Leonard Cohenine, coping with depression, and the aftermath of the Holocaust. The concepts of the psychic crypt and the phantom effect delineated by Abraham and Torok highlight links between Cohen’s life and lyrics, between intergenerational trauma and text. The second section of the essay deals briefly with Coh

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Springtime for Defaults: , as the Ruin of History and the Triumph of Hysteryhistorical truth on ruins whose incompleteness lays history open to (mis) interpretation and also by the anti-intellectual, ahistorical spirit of American capitalism manifest in the show-business sector. The term “hystery” is introduced to encompass both a trauma-induced failure of the senses (as in

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indifferent

Destruction Preservation, or the Edifying Ruin in Benjamin and BrechtRadio Berlin in 1931 and Bertolt Brecht?s ., a collection of “photo-epigrams” compiled between 1937 and 1944, bookend a period of displacement, personal and political catastrophe and intense reflection on the uses and abuses of mythical thought and the humanist paradigm. Specific to the moment of th

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Thinking Like a Ruin the twenty-first century. Using the provocation of “thinking like a ruin,” the authors propose different perspectives to help understand the materiality and theoretical context(s) of ruin and ruination. Drawing upon four case studies—Andy Goldsworthy’s Stonehouse Bonnington, St. Peter’s Seminary ne

Prophylaxis

Contemporary Ruins, Fragments of the Lives of Others, Critical Intimacies In and Out of Comfort Zoneisasters that can only be deplored from a distance, these responses are often organized around testimonies and objects belonging to refugees. Reflecting on these practices, this essay focuses on “global Athens” and its multiple contemporary ruins, placing emphasis on the fact that ruins spell out th

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o the twentieth century.Focuses on the dialectics of destruc.This book focuses on literal and metaphorical ruins, as they are appropriated and imagined in different forms of writing. Examining British and American literature and culture in the nineteenth and twentieth centuries, the book begins in t