Titlebook: Royal Court: International; Elaine Aston,Mark O’Thomas Book 2015 Palgrave Macmillan, a division of Macmillan Publishers Limited 2015 Royal

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書目名稱Royal Court: International影響因子(影響力)




書目名稱Royal Court: International影響因子(影響力)學科排名




書目名稱Royal Court: International網(wǎng)絡(luò)公開度




書目名稱Royal Court: International網(wǎng)絡(luò)公開度學科排名




書目名稱Royal Court: International被引頻次




書目名稱Royal Court: International被引頻次學科排名




書目名稱Royal Court: International年度引用




書目名稱Royal Court: International年度引用學科排名




書目名稱Royal Court: International讀者反饋




書目名稱Royal Court: International讀者反饋學科排名

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親密

Elaine Aston,Mark O’ThomasLebenslauf in Stichworten, Quellennachweis.Zusammenstellung .Das ?Heidelberger Gelehrtenlexikon 1933-1986" enth?lt Namen und Biographien von insgesamt 975 Professoren, darunter 19 Professorinnen. Aufgenommen wurden alle planm??igen au?erordentlichen und ordentlichen Professoren, die zwischen 1933 un

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Repatriate

,Royal Court: International — Histories and Contexts,irst opened in 1969 and became established as a much needed space for writers to present new plays. Without it, the rich history of modern British playwriting would be significantly poorer. But it is also the space in which another comparatively less acclaimed, or less well known new-writing history

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International Workshops and Residencies, the Court in her home city of S?o Paulo. As a consequence of her participation and the play she eventually wrote, the following year she was invited to London to attend the theatre’s International Residency. Pucci has never had a play professionally produced at the Royal Court, but her work has rec

Ostrich

Conversations,and her team at the Royal Court Theatre, but we have also entered into conversations with a range of people who have had professional and personal connections with the theatre’s work abroad. Despite this still only being a fraction of the large numbers involved in the international projects that hav

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International Plays and UK Receptions,erior of a remote log cabin. As the Court doubled up the studio space to host Elyse Dodgson’s international season of New Plays from India, this meant that on 17 November we saw a staged reading of Sagar Deshmukh’s . and heard a panel discussion on the state of playwriting in India against the backd

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International Impact and Legacies, country. Meetings with representatives from three different parties invested in this project — the British Council, the writers and the theatre hosting the workshop — all served to confirm the importance of this initiative for playwriting in Chile. From the British Council, Alejandra Szczepaniak, t