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Titlebook: Rose Tremain; A Critical Introduct Emilie Walezak Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 Contemporary fiction.Women

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發(fā)表于 2025-3-25 06:05:01 | 只看該作者
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發(fā)表于 2025-3-25 12:00:26 | 只看該作者
Gender Provinces: Realism and Feminism in ,,However while paying homage to the great realist novels of the nineteenth century with its references to Balzac and Zola, . focuses on the subjective experience of its many protagonists. The novel uses polyphony to problematize gender identity struggles. Tremain’s approach to realism has been modifi
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發(fā)表于 2025-3-25 19:25:31 | 只看該作者
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發(fā)表于 2025-3-26 03:16:00 | 只看該作者
,Historical ‘Terrains’: , and ,,ineteenth-century New Zealand. The two novels distinguish themselves from . through their use of polyphony and magic realism. . allows Tremain to make the silenced voices of women heard. She dramatizes the historical marginalization of women through figures of servants, widows and divorcées. She als
27#
發(fā)表于 2025-3-26 07:09:22 | 只看該作者
Foreign Prospects and Local Entrenchments: Immigration in , and ,, The chapter examines the antagonistic critical reception of the novel dividing between colonial and postcolonial interpretations. . is a crime novel about the murder of an English property seeker in rural France. It uses the French history of the Occupation as a historical background to the contemp
28#
發(fā)表于 2025-3-26 09:20:53 | 只看該作者
A Picaresque Journey: ,,el provides is a repetition in the vagabond mode of his previous debacles as the loveable rogue. A tale on ruin—the financial debacle of the realm and the physical decay of the recurring characters from the first book—the novel reconfigures Merivel’s confessional narrative of postponed atonement in
29#
發(fā)表于 2025-3-26 13:07:39 | 只看該作者
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發(fā)表于 2025-3-26 18:06:35 | 只看該作者
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