Titlebook: Ronald Reagan and the 1980s; Perceptions, Policie Cheryl Hudson (Doctoral Candidate in History, Asso Book 2008 Palgrave Macmillan, a divisi

Addendum

書(shū)目名稱(chēng)Ronald Reagan and the 1980s影響因子(影響力)




書(shū)目名稱(chēng)Ronald Reagan and the 1980s影響因子(影響力)學(xué)科排名




書(shū)目名稱(chēng)Ronald Reagan and the 1980s網(wǎng)絡(luò)公開(kāi)度




書(shū)目名稱(chēng)Ronald Reagan and the 1980s網(wǎng)絡(luò)公開(kāi)度學(xué)科排名




書(shū)目名稱(chēng)Ronald Reagan and the 1980s被引頻次




書(shū)目名稱(chēng)Ronald Reagan and the 1980s被引頻次學(xué)科排名




書(shū)目名稱(chēng)Ronald Reagan and the 1980s年度引用




書(shū)目名稱(chēng)Ronald Reagan and the 1980s年度引用學(xué)科排名




書(shū)目名稱(chēng)Ronald Reagan and the 1980s讀者反饋




書(shū)目名稱(chēng)Ronald Reagan and the 1980s讀者反饋學(xué)科排名

魔鬼在游行

Cheryl Hudson,Gareth Daviess to say, the period from 1931 onwards was also characterised by a relentless tightening of the screws on all who offered resistance to these political and economic changes. The anarchists were prime targets of repression and this chapter deals with various strategies adopted by different tendencies

真

Peter G. Bournew could be conceived as reducing fear of the unnatural, because anything could be made to fit into that world-view as ‘natural’, a rationalist world-view excludes and therefore makes seemingly ‘unnatural’ those things which it cannot explain. Emotion itself could even be seen as something to be fear

Relinquish

Jack F. Matlock Jr.w could be conceived as reducing fear of the unnatural, because anything could be made to fit into that world-view as ‘natural’, a rationalist world-view excludes and therefore makes seemingly ‘unnatural’ those things which it cannot explain. Emotion itself could even be seen as something to be fear

THROB

the places in which we find ourselves; finding this interwoven condition in ourselves, we experience what Catherine Malabou calls the ‘telephonic memory of a touch’. The language of poetry is revealed in these readings as a gateway between subject and world, between the material and the immaterial,

考博

Simon Head the places in which we find ourselves; finding this interwoven condition in ourselves, we experience what Catherine Malabou calls the ‘telephonic memory of a touch’. The language of poetry is revealed in these readings as a gateway between subject and world, between the material and the immaterial,

排他

Iwan Morganng is, on the one hand, the chance of a singular experience or event and, on the other hand, a response to the call of the other (in the form of a particular literary text). In moving through these largely Derridean considerations, the introduction acknowledges the significance of particular strands

ORE

incisive

Daniel K. Williamsical novels. Extend the notion of spectrality to the process of reading the past more generally. Casting the text as a ‘silent witness’, I focus on fiction’s potential to animate in phantasmic form voices silenced by the historical record. Here, through the question of re-presentation of the past, I

彎彎曲曲