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Titlebook: Romanticism, Sincerity and Authenticity; Tim Milnes (Senior Lecturer in English Literature) Book 2010 Palgrave Macmillan, a division of Ma

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樓主: Odious
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發(fā)表于 2025-3-28 17:46:24 | 只看該作者
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發(fā)表于 2025-3-28 19:18:13 | 只看該作者
Authenticity among Hacks: Thomas Chatterton’s ‘Memoirs of a Sad Dog’ and Magazine Culturewhich none but a . could write’, is an appropriate self-expression of this young libertine writer as depicted in contemporary anecdotes.. In many uncomfortable ways this presupposes that even in the process of unifying the canon under the head of Thomas Chatterton, the Rowley poems remained charisma
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發(fā)表于 2025-3-29 01:16:52 | 只看該作者
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發(fā)表于 2025-3-29 12:37:26 | 只看該作者
Acts of Insincerity? Thomas Spence and Radical Print Culture in the 1790sssing original or inherent authority, but also as duly authorized); entitled to obedience or respect.’ My consideration of authenticity is concerned less with questions of originality or genuineness than with contests over the way in which certain symbols, forms and modes came to be possessed with a
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發(fā)表于 2025-3-29 17:04:59 | 只看該作者
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發(fā)表于 2025-3-29 23:41:58 | 只看該作者
‘Facts are Such Horrible Things!’: The Question of Authentic Femininity in Jane Austens on the works’ claims to realism, where realism is understood as a sincere claim to represent an authentic vision of reality. Literary realism is always a construct, but for the realist claim to hold we have to be persuaded that the author is sincere enough in her representation and not just larkin
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發(fā)表于 2025-3-30 02:26:15 | 只看該作者
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