Titlebook: Romanticism and the Rule of Law; Coleridge, Blake, an Mark L. Barr Book 2021 The Editor(s) (if applicable) and The Author(s), under exclusi

HARD

,Blake’s Perpetual Revolution, the context of early 1790s radical prophecy, the chapter argues that Blake saw poetry as a sacred space in which to express and defend this more radical notion of subjectivity under the law and to foreground his own unique concerns about the problems of writing and reading.

aesthetician

CHASM

fleeting

Introduction: Legal Reason and the Ordeal of Romantic Reading,of Law.” It also establishes a theoretical context for the claim that Romantic literature (inter alia) constructs its reader as possessing the imaginative autonomy and freedom of judgment required of the subject under the rule of law and equally provides a safe haven from which to mount attacks on t

恭維

A Legal Genealogy of the Romantic Imagination,preting Romantic poetry and to argue for a fundamental link between poetry and law through their shared concern with subjectivity and the capacity to judge, to make meaning from signs. The chapter then explores the development of the rule of law and the attempts of various legal institutions to hous

分離

,Coleridge’s Poetic Dispensation,t established in Chap. .. Highly engaged with the response of the Pitt administration to potentially radical activity in Scotland and England, Coleridge begins to conceive of lyric poetry as a space in which imagination and personal autonomy could be expressed, protected from prosecution, and restra

Libido

sacrum

,Blake’s Perpetual Revolution,idual as constantly engaging in the process of interpretation, wrestling with authority and rewriting texts in the process of meaning-making. Invoking the context of early 1790s radical prophecy, the chapter argues that Blake saw poetry as a sacred space in which to express and defend this more radi

刪減

The Gospel of Minute Particulars,he consequential destabilization of the legal self that ensues, Blake both denies the possibility of the rule of law and points toward a regime beyond fallen reality in which a new dispensation, a gospel to replace the law, might be found.

溫順

Epilogue: Law at the Limits of Imagination,rimes trials, the literary criticism of Northrop Frye, and the conflict in legal theory between Dworkin’s Law as Integrity, Law and Economics Theory, and Critical Legal Studies. The argument suggests that understanding the rule of law as a phenomenon shaped by Romantic concerns regarding the nature