書目名稱 | Romanticism and the Object |
編輯 | Larry H. Peer (Professor of Comparative Literature |
視頻video | http://file.papertrans.cn/832/831721/831721.mp4 |
叢書名稱 | Nineteenth-Century Major Lives and Letters |
圖書封面 |  |
描述 | Why are material objects so prominent in European Romantic literature, both as symbol and organizing device? This collection of essays maintains that European Romantic culture and its aesthetic artifacts were fundamentally shaped by "object aesthetics," an artistic idiom of acknowledging, through a profound and often disruptive use of objects, the movement of Western aesthetic practice into Romantic self-projection and imagination. Of course Romanticism, in all its dissonance and anxiety, is marked by a number of new artistic practices, all of which make up a new aesthetics, accounting for the dialectical and symbolistic view of literature that began in the late eighteenth century. Romanticism and the Object adds to our understanding of that aesthetics by reexamining a wide range of texts in order to discover how the use of objects works in the literature of the time. |
出版日期 | Book 2009 |
關(guān)鍵詞 | aesthetics; Great Britain; John Keats; Percy Bysshe Shelley; poem; British and Irish Literature |
版次 | 1 |
doi | https://doi.org/10.1057/9780230101920 |
isbn_ebook | 978-0-230-10192-0Series ISSN 2691-1256 Series E-ISSN 2634-5218 |
issn_series | 2691-1256 |
copyright | Palgrave Macmillan, a division of Nature America Inc. 2009 |