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Titlebook: Romance, Family, and Nation in Japanese Colonial Literature; Kimberly T. Kono Book 2010 Palgrave Macmillan, a division of Nature America I

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書(shū)目名稱Romance, Family, and Nation in Japanese Colonial Literature
編輯Kimberly T. Kono
視頻videohttp://file.papertrans.cn/832/831647/831647.mp4
圖書(shū)封面Titlebook: Romance, Family, and Nation in Japanese Colonial Literature;  Kimberly T. Kono Book 2010 Palgrave Macmillan, a division of Nature America I
描述Romance, Family, and Nation in Japanese Colonial Literature explores how Japanese writers in Korea, Manchuria, and Taiwan used narratives of romantic and familial love in order to traverse the dangerous currents of empire. Focusing on the period between 1937 and 1945, this study discusses how literary renderings of interethnic relations reflect the numerous ways that Japan s imperial expansion was imagined: as an unrequited romance, a reunion of long-separated families, an oppressive endeavor, and a utopian collaboration. The manifestations of romance, marriage, and family in colonial literature foreground how writers positioned themselves vis-à-vis empire and reveal the different conditions, consequences, and constraints that they faced in rendering Japanese colonialism.
出版日期Book 2010
關(guān)鍵詞gender; identity; Nation
版次1
doihttps://doi.org/10.1057/9780230105782
isbn_ebook978-0-230-10578-2
copyrightPalgrave Macmillan, a division of Nature America Inc. 2010
The information of publication is updating

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Looking for Legitimacy: Cultural Identity and the Interethnic Family in Colonial Korea,ucation, discussed “annexation” as the “reestablishment of the unity of the island race” or as the “return” of a “branch family” (.) to the “main family.”. Framing annexation in familial terms transformed Japan’s colonial ambitions into a reunion of longseparated relatives rather than a political ge
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Colonizing a National Literature: The Debates on Manchurian Literature,nals . (Composition), . (Manchurian Novel), and . (Manchuria Literary Arts Annual), Japanese literati discussed the possibilities of a new “l(fā)iterary tradition” and asked such questions as: what qualifies a work of literature as .? who can write Manchurian literature? in what language(s) should this
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l literature foreground how writers positioned themselves vis-à-vis empire and reveal the different conditions, consequences, and constraints that they faced in rendering Japanese colonialism.978-0-230-10578-2
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