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Titlebook: Romance on the Early Modern Stage; English Expansion Be Cyrus Mulready Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Lim

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發(fā)表于 2025-3-21 16:58:00 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書(shū)目名稱(chēng)Romance on the Early Modern Stage
副標(biāo)題English Expansion Be
編輯Cyrus Mulready
視頻videohttp://file.papertrans.cn/832/831646/831646.mp4
圖書(shū)封面Titlebook: Romance on the Early Modern Stage; English Expansion Be Cyrus Mulready Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Lim
描述What is dramatic romance? Scholars have long turned to Shakespeare‘s biography to answer this question, marking his ‘late plays‘ as the beginning and end of the dramatic romance. This book identifies an earlier history for this genre, revealing how stage romances imaginatively expanded audience interest in England‘s emerging global economy.
出版日期Book 2013
關(guān)鍵詞bibliography; biography; cultural geography; drama; economy; empire; England; English; expansion; history; his
版次1
doihttps://doi.org/10.1057/9781137322715
isbn_softcover978-1-349-45851-6
isbn_ebook978-1-137-32271-5
copyrightPalgrave Macmillan, a division of Macmillan Publishers Limited 2013
The information of publication is updating

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發(fā)表于 2025-3-21 23:30:53 | 只看該作者
Book 2013What is dramatic romance? Scholars have long turned to Shakespeare‘s biography to answer this question, marking his ‘late plays‘ as the beginning and end of the dramatic romance. This book identifies an earlier history for this genre, revealing how stage romances imaginatively expanded audience interest in England‘s emerging global economy.
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978-1-349-45851-6Palgrave Macmillan, a division of Macmillan Publishers Limited 2013
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nning and end of the dramatic romance. This book identifies an earlier history for this genre, revealing how stage romances imaginatively expanded audience interest in England‘s emerging global economy.978-1-349-45851-6978-1-137-32271-5
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Coda: Global Romance after Shakespeare,motif for the performance was Caliban’s line from .Be not afeard. The isle is full of noises” (3.2.130). Printed at the top of the ceremony’s program, etched on the bell that signaled the games’ opening, and called out in the voice of Kenneth Branagh, Shakespeare’s words seemed to call the “Isles of Wonder” into being.
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