Titlebook: Risk, Participation, and Performance Practice; Critical Vulnerabili Alice O‘Grady Book 2017 The Editor(s) (if applicable) and The Author(s)

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Book 2017t of making and participating in performance practice. It takes into account the work of other performance scholars for whom risk and precarity are central concerns, but seeks to move the debate forwards in response to a rapidly changing world where risk is higher on the political, economic and cultural agenda than ever before..

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: Addiction, Performance, and Aesthetics of Authenticityisk taking in drug addiction and risk taking in performance making. To this end, it proposes that participation in performance can provide a platform from which to encourage an affirmative yet creatively challenging form of risk taking, and in so doing to produce a generative aesthetic praxis for performers.

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a variety of encounters.Asks who and what is at risk in perf.This book explores a range of contemporary performance practices that engage spectators physically and emotionally through active engagement and critical involvement. It considers how risk has been re-configured, re-presented and re-packag

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Risking Intimacy: Strategies of Vulnerability in Vertical City’s , and ,ble in a context of mutual vulnerability of both the performers and the audience. In this essay Barton and Hansen offer a detailed articulation of these complex and evolving composition and performance processes.