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Titlebook: Risk and Meaning; Adversaries in Art, Nicolas Bouleau Book 2011 Springer-Verlag Berlin Heidelberg 2011 Chance and Risk.History of Science.

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樓主: sulfonylureas
21#
發(fā)表于 2025-3-25 07:17:02 | 只看該作者
bstance (TS) values and changes during the growing season (VP) and to its main nutrient (N-, P- and K-) relations..The annual overground (?green mass“) production is about 100 g TS/m.. The accumulation of litter in relation to the annual green mass production is nearly 30:1. The mean underground phy
22#
發(fā)表于 2025-3-25 09:19:51 | 只看該作者
23#
發(fā)表于 2025-3-25 15:26:08 | 只看該作者
Visual Affordance Recognition: A Study on Explainability and Interpretability for Human Robot Inter affordance originated to explain the intuitive intelligent responses of humans in their interaction with the environment. With a state-of-the-art supervised deep learning model, achieving high accuracy in an object affordance recognition challenge is excellent and normal nowadays. Does it ensure th
24#
發(fā)表于 2025-3-25 16:48:05 | 只看該作者
Rescaling of Planning Power: Comparing Functional Planning Reforms in Six European Countriesning competences among the jurisdictions (at the national, regional, and local levels) and to horizontal reallocation of competences and roles among different actors (public, private, non-profit sector, inter-municipal cooperation). Furthermore, the different responses of the national planning syste
25#
發(fā)表于 2025-3-25 20:48:45 | 只看該作者
26#
發(fā)表于 2025-3-26 01:46:33 | 只看該作者
Gender and Social Media in the Entrepreneurship: A Structured Literature Review,entrepreneurial roles. Likewise, the way of communicating, receiving feedback, selling and promoting has changed thanks to the widespread use of social media. For this reason, the purpose of this paper is to provide an integrated analysis about how social media is studied in relation to female entre
27#
發(fā)表于 2025-3-26 05:08:34 | 只看該作者
28#
發(fā)表于 2025-3-26 12:12:31 | 只看該作者
Some Female Versions of Pastoral: , and Matriarchal Mythologies,n material, and Rachel Vinrace is her most unsuccessful creator figure. In a sense, Woolf, like Rachel, her most romantic heroine, was a victim of her own sensations. And she was tortured by her maiden voyage out into fiction because that voyage failed to give her the distance she needed.
29#
發(fā)表于 2025-3-26 13:01:54 | 只看該作者
30#
發(fā)表于 2025-3-26 18:41:00 | 只看該作者
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