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Frances Cowell,Borjana Racheva,Stefan Trück its most teasing difficulties, and its deepest meanings, arise from this sustained duality of mode. For Shakespeare does not in the least pretend, like Tourneur, that satire and revenge are easily compatible, and he is far from wishing to absorb both in some kind of savage comedy of retribution. Wh

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Markus Haas,Stefan Mittnikto bear on .Hamlet., others explore how .Hamlet. anticipates modern discourses on emotion, and still others ask how .Hamlet. itself can complicate and contribute to our current understanding of emotion..978-3-030-03795-6Series ISSN 2731-3204 Series E-ISSN 2731-3212

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