Titlebook: Rhetorical Affect in Early Modern Writing; Renaissance Passions Robert Cockcroft Book 2003 Palgrave Macmillan, a division of Macmillan Publ

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FRAUD

Sable Clouds and Silver Linings,ut to reflect the dynamic of emotion and perception, the movement from outward deception or misconstruction to inward substance, good or bad — a movement figured by Plato, and subsequently by Erasmus, as the opening of a Silenus (see below), and one which makes the pleasure of discovery integral to

Pepsin

maudtin

Old Passions, New Purposes: Rhetoric Rhetoricised,tend to put their own emotional ‘spin’ on the . of early modern writing, and to develop distinct modes of . in relation to the topics treated. My aim ultimately is to distinguish the spin which . the original meaning, from that which (quite properly) presents it from a different angle.

Ventilator

Adjusting the Mirrors,aw it being evoked in more muted but subtly engaging ways by Ringler and Flachmann, Baldwin’s editors, and by David Norbrook in his appraisal of Lucy Hutchinson. We looked, too, at Milton’s creativity in . as expounded by Harold Bloom; and at God’s shortcomings as Creator, viewed from Catherine Belsey’s feminist perspective.

倔強(qiáng)不能

Book 2003sponses. This book will mediate between critics, readers, the author and the original audience, using the ‘New Rhetoric‘ to open fresh perspectives on writers as diverse as Christopher Marlowe, Lucy Hutchinson and Margaret Cavendish.

傷心

frozen-shoulder

Introduction: Reconsidered Passions, how strange or familiar it is, what it prompts us to — and our . engagement with it. Anybody committed to the long-term study of language and literature is likely to recall several different ways in which new texts have struck them, or in which well-known ones have suddenly come back to life or rev

刻苦讀書

Sable Clouds and Silver Linings,., 221–5). But it also implies a successful resolution, or exploitation, of the problem which dogs every attempt to locate . satisfactorily within rhetoric — or to accommodate rhetoric itself to the conscious and careful use of language as a tool for investigation and decision. How does emotion stan

Irascible