Titlebook: Revolutionary Cycles in Chinese Cinema, 1951–1979; Zhuoyi Wang Book 2014 Zhuoyi Wang 2014 Chinese cinema.Chinese revolution.Chinese histor

ostracize

From Revolutionary Canon to Bourgeois White Flag: , (1958) in the Maoist Campaigns,me for new personnel registration. Regarding himself as a “rustic CCP” (.) for having spent more than a decade in the CCP-controlled rural areas, he still had no idea why the CCP recently assigned him a post in the “cosmopolitan film” (.) industry.. His name, Guo Wei, did not have the slightest conn

含水層

,From “a Hundred Flowers” to “a Poisonous Weed”: Dangerous Opportunities for Satirical Comedies, 195used to be popular Shanghai movie stars before the Campaign against .. Just their difference in size—one overweight, and the other skinny—is enough to remind many of their long-time successful partnership in slapstick comedies. But both stars have disappeared from the silver screen since the campaig

languor

From Revolutionary Romanticism to Petty Bourgeois Fanaticism: The Great Leap Forward and Filmmakerswout of popular verses, folk poems and ballads.”. The New Folk Poetry Campaign soon reached its height.. CCP authorities mobilized peasants, workers, and soldiers at all literacy levels to write poems in extremely large quantities. The Anhui Province CCP committee, for example, claimed that they col

PON

間諜活動

,From Conflicting Authorities to Diverse Masses: , (1964) as “Sugarcoated Poison”,the first line,” including Liu Shaoqi, Zhou Enlai, and Deng Xiaoping (the Secretary General of the Secretariat of the CCP’s Central Committee at the time) were cautious in changing past policies. They did not forget to solicit Mao’s approval when making important decisions, but their attempts to rem

Throttle

Introduction: Understanding Revolutionary Culture and Cinema,ll over the People’s Republic of China (PRC) “shouted, yelled, and cried” in Beijing’s Tiananmen Square. They rushed and crowded there to see Mao, who would “inspect” (.) them from atop the Tiananmen Gate:

多樣

鈍劍

From , to the Career of ,: Adapting Private Studio Filmmaking Legacy for a Nationalized Cinema, 195tasy is “yellow” or obscene.. It “fabricates outlandish stories out of thin air, has pretty women boldly sell their bodies, and is full of thrills and eroticism.” The other kind of cinema “is a cultural education, transmits truth and righteousness, reveals to people the direction of their lives, and

Cloudburst

GEM

978-3-031-04574-5The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl