Titlebook: Revenge Drama in European Renaissance and Japanese Theatre; From Hamlet to Madam Kevin J. Wetmore Book 2008 Kevin J. Wetmore, Jr. 2008 dram

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978-1-349-37127-3Kevin J. Wetmore, Jr. 2008

HEDGE

繼而發(fā)生

“The Play’s the Thing”: Cross-cultural Adaptation of Revenge Plays through Traditional Drama injunction to theatre for theatre’s sake: “the play’s the thing.” In context, however, Hamlet advocates theatre as a means to an end—the play is not the thing in and of itself. In fact, the play is less important than the effect it can achieve—that is, to cause Claudius to reveal his guilt in the murder of Old Hamlet.

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Carol Fisher Sorgenfreients may contest the self-governing imperative and they may use the public of the class as an arena to denigrate their classmates. The discussion contrasts insights gained in ethnographic projects carried out in classrooms in Germany, Sweden and Switzerland and is informed by a governmentality persp

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