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Titlebook: Retrospection and Revision in Modern and Contemporary Art, Literature and Music; Mette Gieskes,Mathilde Roza Book 2024 The Editor(s) (if a

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41#
發(fā)表于 2025-3-28 17:30:48 | 只看該作者
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發(fā)表于 2025-3-28 21:10:22 | 只看該作者
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發(fā)表于 2025-3-29 01:40:40 | 只看該作者
The Fall and Rise of ,: Malcolm Cowley and the Cultural Politics of Revisionest that Cowley’s revisions need to be understood in the context of the personal, literary, cultural, and political changes that occurred between 1934 and 1951—in Cowley’s life and career, in the canonical status of the “l(fā)ost generation,” and in American culture, society, and politics.
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發(fā)表于 2025-3-29 03:16:39 | 只看該作者
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發(fā)表于 2025-3-29 10:06:10 | 只看該作者
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發(fā)表于 2025-3-29 15:08:41 | 只看該作者
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發(fā)表于 2025-3-29 16:08:52 | 只看該作者
Artists’ Haunts: Late Artists Revisiting Their Work Beyond Their Timeenant artist seems to revive (and revise) himself by draining the life energy of the artist-medium, it is reminiscent of the phenomenon of “aesthetic vampirism,” according to which art is understood as ironically parasitic on life/nature.
48#
發(fā)表于 2025-3-29 21:08:20 | 只看該作者
Space, Time, and Change in Claude Monet’s Late Paintingsand pervade, besides subject matter, both the structure of the whole and modes of paint application. The chapter presents the differences between the earlier and later works primarily as an expression of Monet’s old age and as consequence of the artist’s constant and penetrating observation of his i
49#
發(fā)表于 2025-3-30 00:21:30 | 只看該作者
Winter Is Coming: , by Lawrence Alma-Tadema (1910) his final return to the subject transcends such a reading. More than just a work of personal mourning, the painting also presents itself as a meditation on the cyclical essence of human existence, alternating between love and death, spring and fall, creation and demise.
50#
發(fā)表于 2025-3-30 07:36:01 | 只看該作者
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