Titlebook: Rethinking Joyce‘s Dubliners; Claire A. Culleton,Ellen Scheible Book 2017 The Editor(s) (if applicable) and The Author(s) 2017 James Joyce

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,“Scudding in Towards Dublin”: Joyce Studies and the Online Mapping , Project,. Mulliken examines the triumphs as well as the limitations of her online Mapping . Project, a project she developed in 2010 to provide readers with an interactive map of every location and route referenced and represented in Joyce’s work. She suggests that the visual nature of the cartographic medi

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,Clashing Cultures in “Counterparts”: Navigating among Print, Printing, and Oral Narratives in Turn-re a mechanized future is inevitable. O’Kane reads Joyce’s text alongside Belinda McKeon’s rewriting of “Counterparts” in ., arguing that McKeon’s story “invites a return to the original and uncovers some of the finer nuances of Farrington’s struggle as linked to not only a broad cultural shift to w

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Intermental Epiphanies: Rethinking , with Cognitive Psychology,oyce are often social experiences rather than individual moments of personal reflection and clarification. Brick wants us to see Joyce’s epiphanies as signifiers of “joint problem solving,” where the alienation of the modern self is mediated by intermental cognition, underscoring the discursive subt

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,From “Spiritual Paralysis” to “Spiritual Liberation”: Joyce’s Samaritan “Grace”, argues that Joyce saw the Catholic religion as stifling and paralytic, thereby offering . as an escape route that could free readers and characters from Catholic paralysis. However, Joyce might have been anti-Catholic, but his work was not barren of religiosity, spirituality, or the sacred. Reconsi

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,Men in Slow Motion: Male Gesture in “Two Gallants”, strenuous, agonizing, muscle-wrenching effort.” Duffy sees gesturing as an attempt to overcome paralysis. Echoing Giorgio Agamben’s statement that “By the end of the nineteenth century, the Western bourgeoisie had definitely lost its gestures,” Duffy notes that the opening of “Two Gallants” certain

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Book 2017n?.Dubliners.?has received since its publication more than a century ago,?many?readers and teachers of the stories?still rely on and embrace?old,?outdated readings that invoke metaphors of paralysis and stagnation to understand the book. Challenging these canonical notions about mobility, paralysis,

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,“No There There”: Place, Absence, and Negativity in “A Painful Case”, and its protagonist, James Duffy, and offers a new way to approach and interpret “A Painful Case.” Pushing our readerly expectations to their outer limits, we find, she suggests, a large political and social system that marionettes Duffy and Mrs. Sinico via powerful social conventions and controls.

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,From “Spiritual Paralysis” to “Spiritual Liberation”: Joyce’s Samaritan “Grace”, the story “demonstrates that the central idea of redemption and liberation for Joyce was a spiritual one, framed and described out of the material of his religious upbringing, set to new but nonetheless transcendent purposes.”