Titlebook: Rethinking Identities Across Boundaries; Genders/Genres/Gener Claudia Capancioni,Mariaconcetta Costantini,Mara M Book 2024 The Editor(s) (i

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CRUC

拍下盜公款

不來

,Crossing the Borders of Genders and Genres: Akwaeke Emezi’s , as a World-Making Narrative of Identinative spaces for the reconfiguration of a borderless, fluid entity. Moreover, the crossing of gendered borders within the novel is extended to a crossing of genres, such as the ., the psychological novel, and autobiography, further contributing to the blurring of literary borders. Ultimately, the c

cajole

Mobility, Belonging and the Utopia of a Borderless World: A Spatial and Identitarian Reading of Imbe world based on utopian projects of unbounded mobility and borderlessness. Furthermore, Mbue’s capacious, world-literature novel raises some problems of classification, inviting us to rethink critical boundaries and established literary categories.

半圓鑿

,‘Violent conclusion’ versus ‘hopeful return’: Zadie Smith’s , and the Performative Border-Croestions both the displayed emphatic capacity of a supposedly enlightened North-West public, and the genre and gender conventions characterising Europe’s prevailing identitarian discourse. The complex narrative border-crossing staged by the novella entails the condemnation of perspective insularity i

空中

EWE

,‘This particular art [is] all about walls’: Nomadic Poetics of Identity in Ali Smith’s , is the wall that creates multiple alternative representations of borders, claiming its instability, porosity, and potential as a space of encounter, exchange, and dialogue. Readers need to go through a wall to navigate the liminal space in between and generate cartographies of traces, patterns, and

osteoclasts

共和國