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Titlebook: Rethinking Borders; John C. Welchman (Assistant Professor) Book 1996 John C. Welchman 1996 Cultural Studies.philosophy.politics.postmodern

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書目名稱Rethinking Borders
編輯John C. Welchman (Assistant Professor)
視頻videohttp://file.papertrans.cn/829/828973/828973.mp4
圖書封面Titlebook: Rethinking Borders;  John C. Welchman (Assistant Professor) Book 1996 John C. Welchman 1996 Cultural Studies.philosophy.politics.postmodern
描述The condition of borders has been crucial to many recent exhibitions, conferences and publications. But there does not yet exist a convincing critical frame for the discussion of border discourses. Rethinking Borders offers just such an introduction. It develops important contexts in art and architectural theory, contemporary film-making, criticism and cultural politics, for the proliferation of ‘border theories‘ and ‘border practices‘ that have marked a new stage in the debates over postmodernism, cultural studies and postcolonialism.
出版日期Book 1996
關(guān)鍵詞Cultural Studies; philosophy; politics; postmodernism
版次1
doihttps://doi.org/10.1007/978-1-349-12725-2
isbn_softcover978-1-349-12727-6
isbn_ebook978-1-349-12725-2
copyrightJohn C. Welchman 1996
The information of publication is updating

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The Philosophical Brothel,e spectacle and productivity of the border. For modernism the border is always a limit that subtends and controls practice. For the avant-garde, on the other hand, it is a special trans-gressive space whose traversal and (conflictual) re-articulation guarantees the continuity and seriality of avant-
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Vulture Culture,ly imitating and overthrowing the post-industrial grid through which they grow. Born as cultural marginalia, these are the practices of certain immigrants, homeless youth and other displaced urban peoples.
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Metramorphic Borderlinks and Matrixial Borderspace,to develop the concepts as follows: . I understand as a psychic borderspace of encounter; ., as a psychic creative borderlink; and the . reveals subjectivity as an encounter of co-emerging elements through metramorphosis. I want to insist, however, that the theoretical elaboration of these terms does not control or even dominate the painting.
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