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Titlebook: Rethinking Art and Visual Culture; The Poetics of Opaci Asbj?rn Skarsv?g Gr?nstad Book 2020 The Editor(s) (if applicable) and The Author(s)

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發(fā)表于 2025-3-21 16:20:41 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Rethinking Art and Visual Culture
副標(biāo)題The Poetics of Opaci
編輯Asbj?rn Skarsv?g Gr?nstad
視頻videohttp://file.papertrans.cn/829/828969/828969.mp4
概述Explains the aesthetic and political affordances, functions, and affects of a range of artistic expressions that are marked by illegibility or semi-legibility.Becomes the first book to map out a coher
圖書封面Titlebook: Rethinking Art and Visual Culture; The Poetics of Opaci Asbj?rn Skarsv?g Gr?nstad Book 2020 The Editor(s) (if applicable) and The Author(s)
描述.This is the first book to offer a systematic account of the concept of opacity in the aesthetic field. Engaging with works by Ernie Gehr, John Akomfrah, Matt Saunders, David Lynch, Trevor Paglen, Zach Blas, and Low, the study considers the cultural, epistemological, and ethical values of images and sounds that are fuzzy, indeterminate, distorted, degraded, or otherwise indistinct. .Rethinking Art and Visual Culture. shows how opaque forms of art address problems of mediation, knowledge, and information. It also intervenes in current debates about new systems of visibility and surveillance by explaining how indefinite art provides a critique of the positivist drive behind these regimes. A timely contribution to media theory, cinema studies, American studies, and aesthetics, the book presents a novel and extensive analysis of the politics of transparency..
出版日期Book 2020
關(guān)鍵詞Opacity; Critique of Visibility; Experimental Cinema; Material Degradation; Noise Art; Ethics
版次1
doihttps://doi.org/10.1007/978-3-030-46176-8
isbn_softcover978-3-030-46178-2
isbn_ebook978-3-030-46176-8
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
The information of publication is updating

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沙發(fā)
發(fā)表于 2025-3-21 23:36:14 | 只看該作者
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發(fā)表于 2025-3-22 01:09:13 | 只看該作者
https://doi.org/10.1007/978-3-030-46176-8Opacity; Critique of Visibility; Experimental Cinema; Material Degradation; Noise Art; Ethics
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發(fā)表于 2025-3-22 06:38:01 | 只看該作者
Asbj?rn Skarsv?g Gr?nstadExplains the aesthetic and political affordances, functions, and affects of a range of artistic expressions that are marked by illegibility or semi-legibility.Becomes the first book to map out a coher
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發(fā)表于 2025-3-22 10:51:39 | 只看該作者
978-3-030-46178-2The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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發(fā)表于 2025-3-22 16:40:25 | 只看該作者
Book 2020ah, Matt Saunders, David Lynch, Trevor Paglen, Zach Blas, and Low, the study considers the cultural, epistemological, and ethical values of images and sounds that are fuzzy, indeterminate, distorted, degraded, or otherwise indistinct. .Rethinking Art and Visual Culture. shows how opaque forms of art
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發(fā)表于 2025-3-22 19:25:02 | 只看該作者
On the Concept of Opacity in Art and Theory,, Jean-Fran?ois Lyotard, Louis Marin, Paul Virilio, and Trinh Minh-ha. These two historically circumscribed streams of thought are then linked to more ongoing debates about indistinct art, blurry images, low definition, and visual noise in a compendium of theorists, from Hito Steyerl to Christine Ross.
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