Titlebook: Resounding International Relations; On Music, Culture, a M. I. Franklin (Senior Lecturer in Social and Poli Book 20051st edition The Editor

祖?zhèn)髫敭a(chǎn)

擦掉

Concentrated Industry, Fragmented Consumption: The Global Music Industry in the New Millenniumformance to be captured. Rather than discuss the processes and practices of various players in the global music industry, in this chapter I discuss the sector in more general terms to suggest some political economic themes that underlie the music industry’s contemporary upheavals.

Aesthete

殘酷的地方

Introductory Improvisations on a Theme: Resounding International Relationseveryday sexual politics. The intertwined action, soundtrack and merchandising strategies of films like ., underscore how the personal is not so much political these days as it is ., figuratively and literally. Either way it is good for business..

bronchiole

Sharing as Piracy: The Digital Future of Musiced. . purchased the rights to use a recording of Difang and Agay from MCM. While permission for use of the musical material was granted, the French agency did not actually control the rights they granted, the folk singers were never asked for permission, and royalties were not directed their way (Story 2002: 138; Wong 1999).

aplomb

或者發(fā)神韻

“My Dance Immoral? , No!” , Music and Gender Politics in Contemporary Indonesiae of the most heated debates. The “sexy” performer became talk of the day. Within a short time span, a national debate exploded among politicians, Islamic clerics, celebrities, and local women’s groups on the question whether or not her performance was morally acceptable.

Mingle

侵略者

nto account the visceral and non-verbal elements such as counterpoint and harmony, polyphony and dissonance, noise, rhymes, rhythms, performance and the visual/aural dimensions to music-making.978-1-349-73395-8978-1-137-05617-7

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