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Titlebook: Researching Subcultures, Myth and Memory; Bart van der Steen,Thierry P.F. Verburgh Book 2020 The Editor(s) (if applicable) and The Author(

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21#
發(fā)表于 2025-3-25 05:19:12 | 只看該作者
22#
發(fā)表于 2025-3-25 07:50:19 | 只看該作者
Introduction: Researching Subcultures, Myth and Memory,subcultures, these notions can open new avenues for research. For subcultures are not only built around shared passions and interests—either for music, politics, board games or anything else—but also around shared stories, imaginations, and memories.
23#
發(fā)表于 2025-3-25 13:00:49 | 只看該作者
24#
發(fā)表于 2025-3-25 19:01:45 | 只看該作者
25#
發(fā)表于 2025-3-25 20:17:56 | 只看該作者
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發(fā)表于 2025-3-26 00:55:15 | 只看該作者
27#
發(fā)表于 2025-3-26 06:46:46 | 只看該作者
‘Bad to the Bone’: The Myth and Mystique of the Motorcycle Gangimultaneously, however,?popular culture has also?imagined bikers in a more positive light, as maverick and beguiling free spirits. Through this case study, the chapter shows how to deal with the ambivalence of mythic constructions of subcultures, in this case the motorcycle gang.
28#
發(fā)表于 2025-3-26 10:02:47 | 只看該作者
Remembering Andre ‘Angel’ Melendez: Rave Subculture’s Contested/Conflicted Memory of a Racially Motiace plays in the ways in which this dramatic incident is remembered. The chapter concludes that all three films portray Alig as the front man of a successful, queer-empowered, and lucrative club kid scene while forgetting the racial overtones of his legacy.
29#
發(fā)表于 2025-3-26 12:52:30 | 只看該作者
‘From the Dark Past’: Historiographies of Violence in Norwegian Black Metalecome an essential aspect of the subculture’s identity, gaining mythical aspects through the constant retelling of it, Hagen is left to wonder how to accurately portray the essence and . of this musical subculture without ignoring its nastier aspects or engaging in an apologia for them.
30#
發(fā)表于 2025-3-26 18:34:39 | 只看該作者
Between Revolution and the Market: Bob Marley and the Cultural Politics of the Youth Icon the militant edges of Marley’s message, reimagining him more as a transcendent mystic than a revolutionary. The chapter identifies the central developments and actors that drove?this process of collective reimagining.
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