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Titlebook: Research and Development in Intelligent Systems XXXI; Incorporating Applic Max Bramer,Miltos Petridis Conference proceedings 2014 Springer

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樓主: Prehypertension
11#
發(fā)表于 2025-3-23 12:10:01 | 只看該作者
Thien Le,Frederic Stahl,Jo?o Bártolo Gomes,Mohamed Medhat Gaber,Giuseppe Di Fattaimbalances and the secondary earner question. Female employment recently outperformed male employment, but fiscal consolidation policies currently hinder advancement in countries like the so-called GIPSI group, where progress is needed most. Meanwhile differences with respect to men in pension incom
12#
發(fā)表于 2025-3-23 14:53:48 | 只看該作者
Gabriel Prat,Lluís A. Belancheined by proximity to the town, and by the economic condition of the village of out migration. As time went by and Kōriyama.s economic importance grew, large-scale merchants came to prefer day labour to . labour. This reduced short-term . migration to Kōriyama and encouraged permanent relocation, bec
13#
發(fā)表于 2025-3-23 18:32:52 | 只看該作者
14#
發(fā)表于 2025-3-23 23:18:45 | 只看該作者
15#
發(fā)表于 2025-3-24 03:40:31 | 只看該作者
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發(fā)表于 2025-3-24 10:23:01 | 只看該作者
17#
發(fā)表于 2025-3-24 14:43:42 | 只看該作者
h, strike chords of disenchantment, rebellion and resistance. Like the phenomena which they examine, the analyses themselves are founded on a number of unspoken oppositions: conformity and resistance, harmony and rupture, passivity and activity, consumption and appropriation, femininity and masculin
18#
發(fā)表于 2025-3-24 15:05:43 | 只看該作者
M. J. Wheatmane discourses, and the consequences of judging girls’ behaviour by the terms of one rather than the other, I shall explore femininity and adolescence as discourses with structured sets of relationships between speakers and actors who occupy positions in them. Also, I shall demonstrate that these disc
19#
發(fā)表于 2025-3-24 19:31:08 | 只看該作者
20#
發(fā)表于 2025-3-25 02:17:57 | 只看該作者
Ghadah Aldehim,Wenjia Wangit is disguised as the inverse of .: in the manner of Mamet’s con-game drama and cinema, it pretends to be a family play, set—not in a place of business—but in a family home. By subtracting the (heterosexual) patriarch, it masquerades as a drama of Others, focusing on a woman, a gay man, and a child
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