Titlebook: Representing the Rural on the English Stage; Performance and Rura Gemma Edwards Book 2023 The Editor(s) (if applicable) and The Author(s),

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Morsel

Simpler Times? Playing the Rural Past,mphatically pre-industrial: . is in the midst of enclosure and the rural craft represented in . draws on quiet pre-industrial methods of production. Focusing on the collective structures of these pre-industrial worlds, this chapter considers how the social and economic formations represented in the

裝勇敢地做

Muck, Cattle, Pigs: Performing Rural Labour, century onwards, before considering the practices of traditional husbandry at the core of each play which is examined here through the lens of what Alastair Bonnett?(2010) would term ‘radical nostalgia’.

咯咯笑

White Open Spaces: Staging Black Ruralism,phers like Julian Agyeman (1990). The chapter then closes with a discussion of the Black rural histories that underpin . and ., highlighting how the productions constitute a kind of performative archiving that attests to the deep historical precedent of Black people in rural?England.

GUILT

Focus-Words

Pedagogy

udents and researchers of theatre and performance, its interdisciplinary scope means that it has wider appeal to other disciplines in the arts and humanities, including geography, politics, and history. .978-3-031-26480-1978-3-031-26478-8

寡頭政治

SUE

Rural as Nation,he English country garden—which is also called Albion in the world of the play—figures as a memory store where national iconographies coalesce, and I consider how the restoration of this site reveals the way that these national iconographies are constructed, deconstructed, and contested.

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