Titlebook: Representing Religion in World Cinema; Filmmaking, Mythmaki S. Brent Plate Book 2003 Palgrave Macmillan, a division of Nature America Inc.

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Book 2003ime, film production has engendered new religious practices and has altered existing ones, from the cult following of The Rocky Horror Picture Show to the 2001 Australian census in which 70,000 people indicated their religion to be ‘Jedi Knight‘. Representing Religion in World Cinema begins with the

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Revisited:hat most mythologicals—like most commercial films of any genre— flop at the box office. The comparatively few that have enjoyed remarkable and sustained acclaim hence merit study both as religious expressions and as successful examples of popular art and entertainment.

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Between Time and Eternity: are wise in some ways and foolish in others. They are wise at some times and foolish at other times. Richard Wagner was an arrogant snob and anti-Semite, for example, but he was also a musical genius. What he produced transcended, at least in some respects, what he was. Reality is complex and messy

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