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Titlebook: Representing Rape in Medieval and Early Modern Literature; Elizabeth Robertson,Christine M. Rose Book 2001 Palgrave Macmillan, a division

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書目名稱Representing Rape in Medieval and Early Modern Literature
編輯Elizabeth Robertson,Christine M. Rose
視頻videohttp://file.papertrans.cn/828/827526/827526.mp4
叢書名稱The New Middle Ages
圖書封面Titlebook: Representing Rape in Medieval and Early Modern Literature;  Elizabeth Robertson,Christine M. Rose Book 2001 Palgrave Macmillan, a division
描述In thirteen studies of representations of rape in Medieval and Early Modern literature by such authors as Chaucer, Shakespeare and Spenser, this volume argues that some form of sexual violence against women serves as a foundation of Western culture. The volume has two purposes: first, to explore the resistance these pervasive representations generate and have generated for readers - especially for the female reader- and second, to explore what these representations tell us about social formations governing the relationships between men and women. More particularly, Rose and Robertson are interested in how representations of rape manifest a given culture‘s understanding of the female subject in society.
出版日期Book 2001
關(guān)鍵詞England; history; law; women
版次1
doihttps://doi.org/10.1007/978-1-137-10448-9
isbn_softcover978-1-349-63116-2
isbn_ebook978-1-137-10448-9Series ISSN 2945-5936 Series E-ISSN 2945-5944
issn_series 2945-5936
copyrightPalgrave Macmillan, a division of Nature America Inc. 2001
The information of publication is updating

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978-1-349-63116-2Palgrave Macmillan, a division of Nature America Inc. 2001
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2945-5936 are interested in how representations of rape manifest a given culture‘s understanding of the female subject in society.978-1-349-63116-2978-1-137-10448-9Series ISSN 2945-5936 Series E-ISSN 2945-5944
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發(fā)表于 2025-3-22 16:45:46 | 只看該作者
Introduction of rape in art, and brush aside, as Calasso suggests, the “seaweed” of trope to reveal the skeleton of the system that perpetuates it. This is not to say that rape is only one thing; rather, in its extremity, rape makes manifest the specifics of a given culture’s understanding of the female subject in society.
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Spenser’s Ravishment: Rape and Rapture in husband, Scudamour—Busirane having kidnapped her at the wedding masque, before the marriage could be consummated—or her shock and shame at the magnitude of her own sexual desire.. In these readings, the “worker” of Amoret’s “smart” thus proves to be not the sadistic Busirane, but Amoret herself.
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