Titlebook: Representing Others in Medieval Iberian Literature; Michelle M. Hamilton Book 2007 Palgrave Macmillan, a division of Nature America Inc. 2

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Introduction: Representing Others in Medieval Iberia, Iberia, the go-between was always in motion, in a constant process of transformation, and as such she was the perfect vehicle for representing and redefining the changing boundaries of Iberian identity. The go-between’s activities in the in-between space of Iberian fiction (between lover and belove

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Palaces of Memory: Mediation, Court Culture, and the Caliphate,d cultures of the East that had come under Islamic domination, the Byzantine in Syria and the Persian in Iraq (and through the Persian those cultures of the even further East, such as India and China), Andalusi poets and theologians begin to adapt Iberian and Western forms to the official discourses

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,“Many a Zayd and ‘Amr”: Mediation and Representation in Al-Andalus,ive and in the very literary form he has chosen for such representation, the ., which itself is defined by formal and stylistic conjuncture (discussed in detail below). In her new context the go-between is no longer part of a codified courtly discourse. The go-between and the rhymed prose with which

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Turning Tricks: The Go-Between in Western Europe,which she can put on the garb of Roman culture and adopt the Latin that medieval clerics attributed to Ovid. The Roman poet may not have been able to communicate with the Getae in the ., but in ., a thirteenth-century Latin elegiac comedy composed of some two thousand four hundred lines of rhymed pr

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