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Titlebook: Representations of Peace and Conflict; Stephen Gibson,Simon Mollan Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limite

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發(fā)表于 2025-3-23 12:57:46 | 只看該作者
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發(fā)表于 2025-3-23 18:50:34 | 只看該作者
Peace Now or Never? Images of Peace in Israelcomplex notion of imagery in order to explore Israeli images of peace. On 10 June 2004 the Israeli newspaper .’. reported that some 40 Israeli and Palestinian media and public relations professionals would be meeting in Jordan ‘to try and find a way to promote the brand name of peace’, and ‘to creat
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發(fā)表于 2025-3-24 00:31:46 | 只看該作者
The Return of the ‘Conchie’: Newspaper Representations of Conscientious Objectors and Pacifists in Wy stages of World War II. In so doing, it will critically explore two assumptions. It is generally accepted that pacifists were treated more liberally by the state and the press during 1939–1945, compared to 1914–1918. Such discussions frequently assume that there was a state-dominated and monolithi
15#
發(fā)表于 2025-3-24 04:07:44 | 只看該作者
What’s Going On: Anti-War and Pro–War Hits on the Billboard Singles Charts during the Vietnam War Erd ‘golden age of protest music’ (Collins, 2003; Pontiac, 2004; Weinstein, 2006) that coincided with the height of the war from 1965 to 1973.It included such iconic releases as Marvin Gaye’s album .’..By comparison the impact of anti-war protest music during the ‘War on Terror’ seems negligible (Brun
16#
發(fā)表于 2025-3-24 07:32:01 | 只看該作者
‘Quakers in Khaki’: Conscientious Objectors’ Resistance to Uniform Clothing in World War I Britainy superior officer to put on a suit of khaki” I was three times court martialed and sentenced to six months, one year and 18 months hard labour respectively.’2 Stamp was a conscientious objector (CO), of which there were many during World War I; some associated with the labour movement, while others
17#
發(fā)表于 2025-3-24 13:16:33 | 只看該作者
Soldiers’ Photographic Representations of Participation in Armed Conflicthrough this we explore how something ostensibly as simple as capturing or owning a photograph entails complexities around both the meaning of armed conflict and the personal representation of participation in armed conflict. We look first at the range of practices around the taking of photographs of
18#
發(fā)表于 2025-3-24 15:32:30 | 只看該作者
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發(fā)表于 2025-3-24 20:58:56 | 只看該作者
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發(fā)表于 2025-3-25 03:13:09 | 只看該作者
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