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Titlebook: Representation and Identity from Versailles to the Present; The Performing Subje Alan Sikes Book 2007 Palgrave Macmillan, a division of Nat

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21#
發(fā)表于 2025-3-25 03:53:21 | 只看該作者
Representation and Identity from Versailles to the Present978-0-230-60561-9Series ISSN 2947-5767 Series E-ISSN 2947-5775
22#
發(fā)表于 2025-3-25 08:19:00 | 只看該作者
f the conformational landscape and are involved in activation. Through relaxation experiments spanning microseconds to seconds, lifetimes of these functional states can often be measured. By determining the effect of ligands on both equilibrium populations and rates of interconversion between states
23#
發(fā)表于 2025-3-25 13:13:06 | 只看該作者
24#
發(fā)表于 2025-3-25 18:40:31 | 只看該作者
Alan Sikest a common structural motif consisting of the presence of seven transmembrane-spanning domains ., a property that was also predicted for the protein product of the . oncogene on the basis of its nucleotide sequence .. This finding provided the first link between cellular transformation and GPCRs.
25#
發(fā)表于 2025-3-25 23:19:57 | 只看該作者
Alan Sikess usually called the homogenized operator for the sequence Ak . Sometimes, the term "averaged" is used instead of "homogenized". Let us look more closely what kind of convergence one can expect for uk. Usually, we have some a priori bound for the solutions. However, due to the rapid oscillations of the coeffi978-90-481-4900-1978-94-015-8957-4
26#
發(fā)表于 2025-3-26 01:47:12 | 只看該作者
Alan Sikess usually called the homogenized operator for the sequence Ak . Sometimes, the term "averaged" is used instead of "homogenized". Let us look more closely what kind of convergence one can expect for uk. Usually, we have some a priori bound for the solutions. However, due to the rapid oscillations of the coeffi978-90-481-4900-1978-94-015-8957-4
27#
發(fā)表于 2025-3-26 07:36:41 | 只看該作者
Representation and Identity from Versailles to the PresentThe Performing Subje
28#
發(fā)表于 2025-3-26 08:39:41 | 只看該作者
The Performing Subject: Identity and Representation in the Modern and the Postmodern Eras,erformers and live transmissions of performers at other sites projected onto screens situated around each performance space. . was also broadcast real time over the World Wide Web. Anyone with access to the Web could view the performance as it unfolded in virtual space; videos of the performance are
29#
發(fā)表于 2025-3-26 12:59:29 | 只看該作者
30#
發(fā)表于 2025-3-26 18:48:10 | 只看該作者
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