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Titlebook: Renaissance Literature and its Formal Engagements; Mark David Rasmussen Book 2002 Palgrave Macmillan, a division of Nature America Inc. 20

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Shakespeare and the Composite Texthe world outside their pages.. Such copia, of course, has often attracted the attention of new historicism and other varieties of criticism interested in exploring the cultural contexts of Renaissance literature. In these critical modes, however, the literary and social materials of various texts ar
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The Politics of Aestheticsterary form.. Indeed, in such circles the study of form is regarded as the irascible father who, unlike the obediently cheerful guests in the country house poems we will examine shortly, shows up uninvited at dinner parties at his children’s newly and proudly built post-structuralist house. After in
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Learning from the New Criticismt its centrality in seventeenth-century studies and been replaced by less elitist genres such as the drama.”. The elitism to which she objects has less to do with the status of lyric poetry in the sixteenth and seventeenth centuries than with its status in modern criticism. It is certainly the case
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The Poetics of Speech Tagsed speech prefix they approximate, frequently offered in the frame of the parenthetical lunulae, speech tags merge quoted speech or writing to the quoting context in a linguistic inlay. They can help provide valuable insight into the nature and effect of poetic form since in their use you can see th
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