Titlebook: Remix Theory: The Aesthetics of Sampling; Eduardo Navas Book 2012Latest edition Springer-Verlag/Wien 2012 Art.Culture.Music.New Media.Pop

photopsia

STERN

Springer-Verlag/Wien 2012

我悲傷

Conclusion: Noise and Remix,+ . Exhibition, which ran from August 19–22 for the inauguration of a new media and design school called Centro De Dise?o Cine y Televisión in Mexico City. The three events featured local and international Latin American artists active in the new-media field.

BRACE

Diuretic

獸皮

the phonograph, leading to contemporary remix culture. This book places particular emphasis on the rise of Remix in music during the 1970s and ‘80s in relation to art and media at the beginning of the twenty-first Century. Navas argues that Remix is a type of binder, a cultural glue—a virus—that informs and supports contemporary culture.

comely

Remix[ing] Sampling,1830s, when the rise of early photography took place; followed by the second in the 1920s, when experimentation of cut up methods were best expressed in collage and photomontage; and ending with the third, when Photoshop was introduced in the late 1980s. I also refer to the last as the stage of new media.

燦爛

盤旋

facetious