Titlebook: Remapping Performance; Common Ground, Uncom Jan Cohen-Cruz Book 2015 The Editor(s) (if applicable) and The Author(s) 2015 Applied theatre.c

Flexibility

書目名稱Remapping Performance影響因子(影響力)




書目名稱Remapping Performance影響因子(影響力)學(xué)科排名




書目名稱Remapping Performance網(wǎng)絡(luò)公開度




書目名稱Remapping Performance網(wǎng)絡(luò)公開度學(xué)科排名




書目名稱Remapping Performance被引頻次




書目名稱Remapping Performance被引頻次學(xué)科排名




書目名稱Remapping Performance年度引用




書目名稱Remapping Performance年度引用學(xué)科排名




書目名稱Remapping Performance讀者反饋




書目名稱Remapping Performance讀者反饋學(xué)科排名

十字架

整體

Jan Cohen-Cruzi-groups) pertaining to G. HUNT‘S theory of potentials is inserted in Chapter XIII of this edition. The errors in the second edition are corrected thanks to kin978-3-642-96208-0Series ISSN 0072-7830 Series E-ISSN 2196-9701

Lumbar-Stenosis

不能和解

Tortuous

Impugn

Universities, Performance, and Uncommon Partnershipstitutions were located. Drummond’s student Robert Gard went on to articulate grassroots theater in a book by that name, which in turn is a source of community-based theater (Cohen-Cruz 2005, pp. 28–30).

staging

Art and Culture in Neighborhood Ecosystems distance to participate in the process rather than the more conventional valuing of people coming from the greatest distance to see a finished product. Through the meaningfulness of developing content specific to that place with people who had experienced it, Ng?g? realized that he wanted to direct

magnanimity

Book 2015ort companion pieces add expertise from Helen Nicholson, Todd London, Julie Thompson Klein, Nancy Cantor, Maria Rosario Jackson, and Penny Von Eschen. Jan Cohen-Cruz ends with suggestions for fully integrating performance in cross-sector initiatives. This latest book by a leading figure in engaged/

最后一個