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Titlebook: Relocating Popular Music; Ewa Mazierska,Georgina Gregory Book 2015 The Editor(s) 2015 Music.cultural translation.relocation.colonialism.to

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發(fā)表于 2025-3-21 16:35:28 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Relocating Popular Music
編輯Ewa Mazierska,Georgina Gregory
視頻videohttp://file.papertrans.cn/827/826780/826780.mp4
叢書名稱Pop Music, Culture and Identity
圖書封面Titlebook: Relocating Popular Music;  Ewa Mazierska,Georgina Gregory Book 2015 The Editor(s) 2015 Music.cultural translation.relocation.colonialism.to
描述Relocating Popular Music uses the lens of colonialism and tourism to analyse types of music movements, such as transporting music from one place or historical period to another, hybridising it with a different style and furnishing it with new meaning. It discusses music in relation to music video, film, graphic arts, fashion and architecture.
出版日期Book 2015
關(guān)鍵詞Music; cultural translation; relocation; colonialism; tourism; space; music video; architecture; atmosphere;
版次1
doihttps://doi.org/10.1057/9781137463388
isbn_ebook978-1-137-46338-8Series ISSN 2634-6613 Series E-ISSN 2634-6621
issn_series 2634-6613
copyrightThe Editor(s) 2015
The information of publication is updating

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發(fā)表于 2025-3-21 22:29:12 | 只看該作者
Pop Music, Culture and Identityhttp://image.papertrans.cn/r/image/826780.jpg
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Book 2015Relocating Popular Music uses the lens of colonialism and tourism to analyse types of music movements, such as transporting music from one place or historical period to another, hybridising it with a different style and furnishing it with new meaning. It discusses music in relation to music video, film, graphic arts, fashion and architecture.
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Relocating Popular Music978-1-137-46338-8Series ISSN 2634-6613 Series E-ISSN 2634-6621
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2634-6613 lace or historical period to another, hybridising it with a different style and furnishing it with new meaning. It discusses music in relation to music video, film, graphic arts, fashion and architecture.978-1-137-46338-8Series ISSN 2634-6613 Series E-ISSN 2634-6621
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Introduction: Setting Popular Music in Motion approach against a background of the existing body of research on place and space in humanities at large, and popular music in particular. This steadily growing research can be seen as a reflection of what we propose to label a ‘spatial turn in humanities’ and a ‘spatial turn in the study of popular music’.
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