| 書目名稱 | Religious Imaging in Millennialist America |
| 副標(biāo)題 | Dark Gnosis |
| 編輯 | Ashley Crawford |
| 視頻video | http://file.papertrans.cn/827/826726/826726.mp4 |
| 概述 | Applies cultural studies examples/discussion to religious studies directly.Arguably the first serious study of Matthew Barney’s most recent work.Applies broader public fascinations ie; The Joker in Th |
| 圖書封面 |  |
| 描述 | .Ashley Crawford investigates how such figures as Ben Marcus, Matthew Barney, and David Lynch—among other artists, novelists, and film directors—utilize religious themes and images via Christianity, Judaism, and Mormonism to form essentially mutated variations of mainstream belief systems. He seeks to determine what drives contemporary artists to deliver implicitly religious imagery within a ‘secular’ context. Particularly, how religious heritage and language, and the mutations within those, have impacted American culture to partake in an aesthetic of apocalyptism that underwrites it. . |
| 出版日期 | Book 2018 |
| 關(guān)鍵詞 | gnostic; harold bloom; CREMASTER; David Lynch; Christopher Nolan; Ben Marcus; Matthew Barney; religion and |
| 版次 | 1 |
| doi | https://doi.org/10.1007/978-3-319-99172-6 |
| isbn_softcover | 978-3-030-07572-9 |
| isbn_ebook | 978-3-319-99172-6 |
| copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
|Archiver|手機版|小黑屋|
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