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Titlebook: Religion in Literature and Film in South Asia; Diana Dimitrova Book 2010 Palgrave Macmillan, a division of Nature America Inc. 2010 film.I

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發(fā)表于 2025-3-26 22:10:16 | 只看該作者
Palgrave Macmillan, a division of Nature America Inc. 2010
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發(fā)表于 2025-3-27 05:03:21 | 只看該作者
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發(fā)表于 2025-3-27 20:47:33 | 只看該作者
Religion and Gender in Bollywood Filmive of mythological and ideological criticism.1 The Bollywood fi lms that I deal with are Ham apke haim. kaun .. It is characteristic of these fi lms that no matter how modern the subject matter is—for example, arranged marriage versus love marriage, the ideal of woman living according to stridharma
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發(fā)表于 2025-3-27 22:58:01 | 只看該作者
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發(fā)表于 2025-3-28 05:50:11 | 只看該作者
Constructed Religious Feelings and Communal Identities in , by G,alī ?rīeverywhere in north India, and in a time that could be any time since the 1980s, up to the demolition of the B?brI masjid. in Ayodhya in 1992 and its bloody aftermath. Characters in the novel voice doubts and questions that worry the intelligentsia. The novel can be described as a literary portrayal
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發(fā)表于 2025-3-28 09:08:50 | 只看該作者
From Otherland to the Divine Land: Exile, Mysticism, and Secularism in K. B. Vaid’s Dard l? dav?ture, the individual, and its social, historical, and cultural context. This collection answers almost explicitly to the virulent attack of the Indian critic Jaidev, who, in his essaya . (published in 1993) literally denounces literature, which is for him uncommitted to Indian social reality. He als
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