| 書(shū)目名稱(chēng) | Rehearsal Practices of Indigenous Women Theatre Makers | | 副標(biāo)題 | Australia, Aotearoa, | | 編輯 | Liza-Mare Syron | | 視頻video | http://file.papertrans.cn/826/825833/825833.mp4 | | 概述 | A radical departure from the study of Indigenous theatre practices.Investigates the practice of Maori, First Nations, and Aboriginal Australian women playwrights in the rehearsal room.Applying Indigen | | 圖書(shū)封面 |  | | 描述 | .This transnational and transcultural study intimately investigates the theatre making practices of Indigenous women playwrights from Australia, Aotearoa, and Turtle Island. It offers a new perspective in Performance Studies employing an Indigenous standpoint, specifically an Indigenous woman’s standpoint to privilege the practices and knowledges of Maori, First Nations, and Aboriginal women playwrights.?.Written in the style of ethnographic narrative the author affords the reader a ringside seat in providing personal insights on the process of negotiating access to rehearsals in each specific cultural context, detailed descriptions of each rehearsal location, and describing the visceral experiences of observing Indigenous theatre makers from inside the rehearsal room.?.The Indigenous scholar and theatre maker draws on Rehearsal Studies as an approach to documenting the day-to-day working practices of Indigenous theatre makers and considers an Indigenous Standpoint as a valid framework for investigating contemporary Indigenous theatre practices in a colonised context.. . | | 出版日期 | Book 2021 | | 關(guān)鍵詞 | Indigenous theatre; Performing Cultural Heritage; Theatre making; Women theatre makers; Indigenous cultu | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-030-82375-7 | | isbn_ebook | 978-3-030-82375-7 | | copyright | The Author(s), under exclusive license to Springer Nature Switzerland AG 2021 |
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