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Titlebook: Regimes of Invisibility in Contemporary Art, Theory and Culture; Image, Racialization Marina Gr?ini?,Aneta Stojni?,Mi?ko ?uvakovi? Book 201

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樓主: 頌歌
41#
發(fā)表于 2025-3-28 15:02:33 | 只看該作者
Politics and Aesthetics of Databases and Forensicsitarian politics, law and art. Today databases are widely promoted as gender-, class- and race-neutral, even emancipatory. If the database is propagated as a desired cultural form of our age, it is necessary to rethink which of those forms are celebrated as democratizing.
42#
發(fā)表于 2025-3-28 21:05:39 | 只看該作者
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發(fā)表于 2025-3-28 23:33:44 | 只看該作者
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發(fā)表于 2025-3-29 05:05:22 | 只看該作者
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發(fā)表于 2025-3-29 07:29:15 | 只看該作者
46#
發(fā)表于 2025-3-29 13:15:54 | 只看該作者
The Painting and Its Histories: The Curious Incident of Rembrandt’s Painting , intends to research the real history of Rembrandt’s painting, its fate during the war and its reappearance in archival documents. It shows how images create histories themselves, not only through their subject matter or the politics of collecting but also through their incorporation into the public imagination.
47#
發(fā)表于 2025-3-29 15:43:35 | 只看該作者
48#
發(fā)表于 2025-3-29 19:42:42 | 只看該作者
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發(fā)表于 2025-3-30 01:10:53 | 只看該作者
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