Titlebook: Refugees, Theatre and Crisis; Performing Global Id Alison Jeffers Book 2012 Palgrave Macmillan, a division of Macmillan Publishers Limited

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Introduction: Stories, Words and Points of View,esome. Troubling because they are hard to hear, especially if the listener enjoys the privileges of the West; troubled because persecution, trauma and suffering are essential elements of these stories, and troublesome because lives depend on their claims for truth. Studying the many theatrical ways

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Taking up Space and Making a Noise: Minority Performances of Activism,were suggesting that xenophobia towards asylum seekers is exacerbated by the fact that Australian citizens live in a land that has already been stolen from its indigenous peoples.. In this action Boat People campaigners placed the‘border panic’ around asylum that had been induced by the government,

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Conclusion: Face to Face or Shoulder to Shoulder?,ory and citizenship’ (Stoianova, 2007: 22). None of this has taken place in a calm or measured way and rapid expansion in the scope and severity of government responses to the situation has created a sense of crisis which is in the interests of these governments to instigate and perpetuate, if only

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Performance Interventionshttp://image.papertrans.cn/r/image/824996.jpg

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Book 2012Using examples of refugee arts and theatrical activity since the 1990s, this book examines how the ‘refugee crisis‘ has conditioned all arts and cultural activity with refugees in a world where globalization and migration go hand in hand.