Titlebook: Reenacting Shakespeare in the Shakespeare Aftermath; The Intermedial Turn Thomas Cartelli Book 2019 The Editor(s) (if applicable) and The A

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ries of meaning within the fantasy genre. And in doing so, they challenge readers themselves to ponder these tales more deeply..But through each of these chapters runs a profound love of the genre and a respect978-94-6300-758-0

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Book 2019come consequential events in their own right, informed by technologies of performance and display that defy conventional staging and filmic practices. Reenactment signifies here both an .un.doing and a .re.doing, above all a doing .differently. of what otherwise continues to be enacted as the same.

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Ghosts of History: Edward Bond’s , and Heiner Müller’s eare for our own time must be redeployed in a manner that disrupts expectations and denies easy access to escape or evasion. While Bond’s . inducts us into a pained moral accountability that cannot be sublimed away, . sustains a negativism that deforms, defies, and opposes whatever the normative order sponsors and supports, Shakespeare included.

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