Titlebook: Recorded Poetry and Poetic Reception from Edna Millay to the Circle of Robert Lowell; Derek Furr Book 2010 Palgrave Macmillan, a division

notable

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旋轉一周

Poets and Critics Live at the Forum: The Occasional Recording and Elizabeth Bishopin a 1971 recording of Allen Ginsberg, the first half hour of which I have tried in vain to make audible. The fact is, however, that most live recordings are listenable, and they contain a wealth of data that could greatly enhance our understanding of how public events shaped modernism.

壓倒性勝利

Introduction Listening to Recorded Poetrym, as well as its own holdings, the Foundation has begun to create an online archive that includes audio and text—an archive that, given the dynamic nature of the web, will grow over time. So far, determining which poets are essential has been the work of Donald Hall and Andrew Motion, and Fox interviewed Hall for the podcast.

ear-canal

Frequency

isotope

使聲音降低

Poets and Critics Live at the Forum: The Occasional Recording and Elizabeth Bishope audio archive of modernism were ruled largely by serendipity, a source equally of their immeasurable critical value and, at times, their frustrating unevenness. Reel-to-reel and cassette recordings from the 1950s forward occasionally suffer from sound distortion and weak microphones, and even high

immunity

Authenticity and Audience: Millay, Sexton, and Vocal Connections Master’s Voice.” Persistent, he remained at attention throughout the twentieth century, seemingly regardless of evolutions in sound quality. For whether monaural or in stereo, some essential feature of his master’s voice had been caught in the recording.

Mosaic

ORE

Afterword Out of the Audio Archivems in .. “What comes first? Even better: Who comes first? And second?” (30). Derrida questions what is lost when the archivist determines what or who comes first, when he classifies, historicizes, and evaluates the meanings of the materials he’s gathered. At the end of this study, I am keenly aware