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Titlebook: Reconstruction in Literary Studies; An Informalist Appro Bryan Vescio Book 2014 Palgrave Macmillan, a division of Nature America Inc. 2014

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發(fā)表于 2025-3-21 17:49:28 | 只看該作者 |倒序?yàn)g覽 |閱讀模式
書目名稱Reconstruction in Literary Studies
副標(biāo)題An Informalist Appro
編輯Bryan Vescio
視頻videohttp://file.papertrans.cn/825/824246/824246.mp4
圖書封面Titlebook: Reconstruction in Literary Studies; An Informalist Appro Bryan Vescio Book 2014 Palgrave Macmillan, a division of Nature America Inc. 2014
描述Pointing the way toward a revitalized future for the study of literature, Reconstruction in Literary Studies draws on philosophical pragmatism to justify the academic study of literature. In turn, Vescio connects the changing field to its social function as an institution.
出版日期Book 2014
關(guān)鍵詞aesthetics; culture; literary studies; transcendental philosophy
版次1
doihttps://doi.org/10.1057/9781137428837
isbn_softcover978-1-349-49161-2
isbn_ebook978-1-137-42883-7
copyrightPalgrave Macmillan, a division of Nature America Inc. 2014
The information of publication is updating

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The Ministry of Disturbanceport with a post-Darwinian aesthetic and a Deweyan conception of democracy. But a few questions remain to be answered. Specifically, a full-fledged theory of literature and literary criticism ought to be able to describe what is particularly “l(fā)iterary” about the texts and methods that are employed i
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The Legacy of Deconstructionformalist conception of the institution of literary studies. But in spite of the fact that almost all literary scholars today instinctively disavow formalism, most probably would not describe their work as contributions to the “Ministry of Disturbance” as I have described it. That is because the his
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發(fā)表于 2025-3-23 01:14:41 | 只看該作者
The Very Idea of Literatureal contexts of race, class, gender, and sexuality that New Critical formalism sought to exclude. What enabled critical approaches employing such contexts to dominate the profession as they now do was the specific version of antiformalism championed by deconstruction and embodied in Derrida’s asserti
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Conclusion good literature, and what is literature good for? By redefining “aesthetic value,” “l(fā)iterature,” and “l(fā)iterary criticism” in terms of the institutions that sustain them, the first part of my book primarily attempted to answer the first question. The second part then explained why other contemporary
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