| 書(shū)目名稱(chēng) | Reconsidering National Plays in Europe | | 編輯 | Suze van der Poll,Rob van der Zalm | | 視頻video | http://file.papertrans.cn/825/824211/824211.mp4 | | 概述 | Examines a wide geographical range of case studies both within and beyond the canon.Offers a better understanding of a nation’s self-image and of how it is liable to change.Spans Theatre and Performan | | 圖書(shū)封面 |  | | 描述 | This volume frames the concept of a national play.?By analysing a number of European case studies, it addresses the following question:?Which play could be regarded as a country‘s national play, and how does it represent its national identity? The chapters provide an in-depth look at plays in eight different countries:?Germany (.Die R?uber,?.Friedrich Schiller), Switzerland (.Wilhelm Tell., Friedrich Schiller), Hungary (.Bánk Bán., József Katona), Sweden (.Gustav Vasa.,?August Strindberg), Norway (.Peer Gynt,?.Henrik Ibsen), the Netherlands (.The Good Hope., Herman Heijermans), France (.Tartuffe., Molière), and Ireland. This collection is especially relevant at a time of socio-political flux, when national identity and the future of the nation state is being reconsidered.. | | 出版日期 | Book 2018 | | 關(guān)鍵詞 | Wilhelm Tell; Europe; European theatre; Molière; Tartuffe; Peer Gynt; European Union; Neoliberalism; Nationa | | 版次 | 1 | | doi | https://doi.org/10.1007/978-3-319-75334-8 | | isbn_softcover | 978-3-030-09203-0 | | isbn_ebook | 978-3-319-75334-8 | | copyright | The Editor(s) (if applicable) and The Author(s) 2018 |
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