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Titlebook: Reconceptualizing the Digital Humanities in Asia; New Representations Kaby Wing-Sze Kung Book 2020 Springer Nature Singapore Pte Ltd. 2020

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發(fā)表于 2025-3-26 21:53:01 | 只看該作者
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發(fā)表于 2025-3-27 04:15:22 | 只看該作者
Towards a New Unconscious: From the Optical to the Electromagnetic of the late nineteenth century and twentieth century; however, it seems to be no longer appropriate in the twenty-first century, that has radically changed, far from the human eyes and largely invisible. This article intends to demonstrate the existence of a new type of the unconscious, an . that better seems to define the contemporary situation.
33#
發(fā)表于 2025-3-27 09:04:16 | 只看該作者
2520-8640 earch in the burgeoning field of the digital humanities.PresThis book examines new forms of representation that have changed our perception and interpretation of the humanities in an Asian, and digital, context. In analyzing written and visual texts, such as the use of digital technology and animati
34#
發(fā)表于 2025-3-27 10:41:55 | 只看該作者
Cinematic Contemplation Online: The Art and Philosophy of , (2017)of the quotidian, the fortuitous, the indeterminate, the flow of life, and the spiritual life itself—in contemplating the phenomenological notion of the life-world (.). This chapter demonstrates how engaging this set of tropes as a basis for film aesthetics fosters insights on our shared . that transcends geographical boundaries.
35#
發(fā)表于 2025-3-27 14:19:18 | 只看該作者
Museum Narration: A Memory-Driven Storyscapebuildings, catalogs, audio tours, educational materials, websites, and social media sites. Today’s digital domain exists in tandem with real-world physical assets, thereby expanding both into a new concept, “phygital”, which combines the physical with the digital. The phygital empowers museum narrat
36#
發(fā)表于 2025-3-27 20:13:26 | 只看該作者
Gazing of the , Body: Digital Visual Effects, Looking Relations, and Spectatorship in Peter Chan’s ,inema. The wuxia body, once largely built on the notion of corporeality, as coded in the corresponding literary tradition, is now subjected to digital reproduction, simulation, and manipulation, revealing a different visual and epistemological logic in the current epoch. Peter Chan’s (.) Chinese mar
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發(fā)表于 2025-3-27 23:37:01 | 只看該作者
38#
發(fā)表于 2025-3-28 04:32:30 | 只看該作者
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發(fā)表于 2025-3-28 07:57:05 | 只看該作者
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發(fā)表于 2025-3-28 11:18:17 | 只看該作者
Discussion of Web Literature: Feminist and Post-Feminist Ideas on Hong Ying’s Bloghts and writings. As there is no absolute proof of one’s identity—nationality, sexuality, age, or profession—in the cyber world, Internet users can always abandon their existing “identities” and create a new one when they surf the Internet. In light of this, the gender boundary has become blurred, a
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