Titlebook: Rechtsradikale Gewalt im vereinigten Deutschland; Jugend im gesellscha Hans-Uwe Otto,Roland Merten Book 1993 Springer Fachmedien Wiesbaden

凝結(jié)劑

CEDE

chastise

Roland Mertenities to put temporal behavior on the same footing as spatial structure and to develop a comprehensive geo-temporal information system. In many cases, temporal information refers to sequences of happenings in the world. To efficiently represent such temporal information, we present event structuring

愚蠢人

Heinz Steinert,Inge Karazman-Morawetzase. Recently the visualization community has risen to the challenge of incorporating an indication of uncertainty into visual representations, and in this article we review their work. We place the work in the context of a reference model for data visualization, that sees data pass through a pipeli

BLANC

征服

Rita Marxestern Civilization. Now installed in the permanent gallery of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, the work symbolizes the institutionalization of feminist art in the museum space. Nonetheless, elite institutions still have fewer women artists in their collection

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籠子

Detlef Oesterreichorbidden in the DMZ, this space retains the highest concentration of landmines. Ironically, it is Korea’s most tranquil area because it is unreachable by unauthorized civilians. In 2018, an artist collective, Artnauts, launched ., an exhibition with thirty-five female and nine male artists from vari

圖表證明

Walter Friedrich in Bogotá: an artist book that refigured the tenth-century fairytale “Little Red Riding Hood” via graphic score, drawing, text, and collage. Developed as an anchor for a series of participatory workshops with children, many either migrants or living in orphanages, the book posed a series of questio

exhilaration

Birgit Rommelspacherestern Civilization. Now installed in the permanent gallery of the Elizabeth A. Sackler Center for Feminist Art at the Brooklyn Museum, the work symbolizes the institutionalization of feminist art in the museum space. Nonetheless, elite institutions still have fewer women artists in their collection