Titlebook: Reception and Poetics in Keats; My Ended Poet Jeffrey C. Robinson Book 1998 Palgrave Macmillan, a division of Macmillan Publishers Limited

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,A Game of Shards: Keats’s ‘Vitally Metaphorical Poetry’,’ crosses through the description (inspired by reading Dante’s Paolo and Francesca section of .) of his dream of floating with the woman in paradise, a description that directly precedes the sonnet copied out:

Impugn

Quoting the Nightingale,’ is only the most famous — most are small phrases, even single words: darkling, covert, hoodwinking, living hand, forever young, bright star, melancholy storm, warm, cold, kisses four. Allusions work similarly: Endymion, nightingale, urn, Hyperion, Isabella, autumn.

嫻熟

Introduction,tral hypothesis of my book perfectly: the pervasive image of Keats as that poet who died-too-young has for generations guided his readers towards seeing his poems as closed, elegiac monuments; the view of the poet shaped the poetics by which he has been read.

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極大的痛苦

Keats Enshrined in Poems: the Nineteenth-Century and Traditional Poetics,m Clark (. .). Individual poems have also recently appeared — including those by Jorie Graham, Jane Kenyon, Galway Kinnell, Stanley Plumly and Mark Halliday. Surrounding the year of the 200th anniversary of his birth (1795), poets seem to want to give voice to or about Keats; they want him to keep o

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共同給與

Flowers, Keats, and Death,a new one. Behind the new life, of course, is the loss of the old, a sacrifice or exchange woven with the continuity. Proserpine, goddess of flowers, recalls pain as well as new life. And as in Ovid the principle of continuity demands an adjustment downward on the evolutionary scale: person back to