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Titlebook: Recent Advances in Thrombosis and Hemostasis; Kenzo Tanaka (Professor Emeritus),Earl W. Davie (P Book 2008 Springer-Verlag Tokyo 2008 Card

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11#
發(fā)表于 2025-3-23 11:46:22 | 只看該作者
Fumiaki Banno,Toshiyuki Miyata/or diasporas in Europe. It has been prompted by the prominence of references to films, film-making and the cinema in a number of European productions created by both migrant and non-migrant, diasporic and non- diasporic writers and directors. Using a sample of such productions from Britain, France,
12#
發(fā)表于 2025-3-23 17:42:14 | 只看該作者
13#
發(fā)表于 2025-3-23 21:06:08 | 只看該作者
ms discussed in this volume play a crucial role in the gradual conflation of these two critical paradigms and are indicative of the World Cinema turn which film studies has witnessed since the late 1980s.. In this chapter we attempt to demarcate some of the conceptual boundaries of migrant and diasp
14#
發(fā)表于 2025-3-23 22:20:50 | 只看該作者
Takashi Ito,Ko-ichi Kawahara,Teruto Hashiguchi,Ikuro Maruyamams discussed in this volume play a crucial role in the gradual conflation of these two critical paradigms and are indicative of the World Cinema turn which film studies has witnessed since the late 1980s.. In this chapter we attempt to demarcate some of the conceptual boundaries of migrant and diasp
15#
發(fā)表于 2025-3-24 05:26:16 | 只看該作者
Koji Suzuki,Tatsuya Hayashi,Osamu Taguchi,Esteban Gabazzathe European market. I am particularly interested in the relationship between streaming platforms and theatrical cinema exhibitors, a relationship that is often described in terms of conflict and tension. For some in the industry, streaming platforms are perceived as a threat to the theatrical cinem
16#
發(fā)表于 2025-3-24 10:05:45 | 只看該作者
Kenji Fukudomethe European market. I am particularly interested in the relationship between streaming platforms and theatrical cinema exhibitors, a relationship that is often described in terms of conflict and tension. For some in the industry, streaming platforms are perceived as a threat to the theatrical cinem
17#
發(fā)表于 2025-3-24 11:51:55 | 只看該作者
18#
發(fā)表于 2025-3-24 17:42:36 | 只看該作者
19#
發(fā)表于 2025-3-24 21:45:03 | 只看該作者
20#
發(fā)表于 2025-3-25 02:09:40 | 只看該作者
Yoshiaki Tomiyama,Masamichi Shiraga,Hirokazu Kashiwagiross post-Yugoslav territories. Tendencies such as the cinemas of ‘self-victimisation’ or ‘self-Balkanisation’ described by Jurica Pavi?i? (.. Zagreb: Hrvatsko filmski savez, 2011) are examined, wherein films are characterised by, respectively, a rediscovered nationalism and a sense of victimhood, o
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