| 書(shū)目名稱 | Reality and Fantasy in American Independent Cinema |
| 副標(biāo)題 | A Cavellian Approach |
| 編輯 | Rick Zinman |
| 視頻video | http://file.papertrans.cn/823/822387/822387.mp4 |
| 概述 | Provides a new approach to studying fantasy in American independent films using the film philosophy of Stanley Cavell.Offers a new critical analysis of existing arguments made about the utopian and es |
| 圖書(shū)封面 |  |
| 描述 | .In the 21st century, blockbuster fantasy films have dominated film viewership in the United States. The increased popularity of fantasy films has generated much greater scholarly interest in the study of fantasy films. It has also generated an artistic response by American Indie filmmakers who have developed alternative approaches to the portrayal of film fantasy.?.Reality and Fantasy in American Indie Films: A Cavellian Approach?.applies the methods and procedures of Cavellian philosophical film criticism to the study of four prominent American indie films released in 2014 in which fantasy can be said to play an important role:?.Birdman.?(Alejandro G. I?árritu);?.Boyhood.?(Richard Linklater);?.The Grand Budapest Hotel?.(Wes Anderson); and?.Only Lovers Left Alive?.(Jim Jarmusch).. |
| 出版日期 | Book 2024 |
| 關(guān)鍵詞 | independent cinema; fantasy film; Cavellian; film philosophy; American film; Stanley Cavell; evaluative fi |
| 版次 | 1 |
| doi | https://doi.org/10.1007/978-3-031-70207-5 |
| isbn_softcover | 978-3-031-70209-9 |
| isbn_ebook | 978-3-031-70207-5 |
| copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl |
|Archiver|手機(jī)版|小黑屋|
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