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Titlebook: Readings in Numanities; Oana Andreica,Alin Olteanu Book 2018 Springer International Publishing AG 2018 Art Consumption.Musical Meaning.Nat

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樓主: Polk
41#
發(fā)表于 2025-3-28 15:30:16 | 只看該作者
Dreams and Narratives: From Psychoanalysis to Contemporary Imaginariestween the unconscious and the censorship of consciousness, the processes of spatialisation and temporalisation, etc.). Building on existing literature and the semiotic analysis of relevant case studies, this paper analyses the processes of meaning-making and the narrative logics underlying dreams an
42#
發(fā)表于 2025-3-28 19:13:54 | 只看該作者
43#
發(fā)表于 2025-3-29 00:36:02 | 只看該作者
Lithuanian Viewers’ Attitude Towards Dubbed Animated Filmsreferred in general; and that the specific exclusive of Lithuanian actors engaged in dubbing in particular, as well as the quality of the professional work performed by the dubbing team were significant.
44#
發(fā)表于 2025-3-29 06:14:56 | 只看該作者
45#
發(fā)表于 2025-3-29 08:38:17 | 只看該作者
46#
發(fā)表于 2025-3-29 15:02:22 | 只看該作者
Meaning, Identity Constructions and Deconstructions in the Song/Poem “Swift Bird”, by the Andalusiane for the hypothesis that Troubadorism might have an Arabic-Andalusian origin. Nonetheless, if the permanence of many verbal structural features of the syncretic text throughout the centuries seems to be a reasonable and valuable proposition to investigate, a more careful approach appears to be nece
47#
發(fā)表于 2025-3-29 16:25:57 | 只看該作者
Music Performer as ,, , and ,: A Socio-Semiotic Investigationt of musical performance that may broaden our understanding on what kind of variables constitute the communication, reception, and consumption of the performer’s art. Three keywords are proposed that may allow us to cover some of the essential aspects of the phenomenon: mediation, or interpretation;
48#
發(fā)表于 2025-3-29 21:51:22 | 只看該作者
Title Influence on Musical Meaning: A Socio-Psychological Experimente exists that stereotypes or associations (and even visualizations), implied by the title, may affect (or compromise) the “pure” musical experience; and (b) if a musical piece, this time not bearing any title, may be experienced and understood in a totally different manner.
49#
發(fā)表于 2025-3-30 03:09:23 | 只看該作者
Reconstructing Self-Identity: Local, Global and Technological Drivesl society leading us towards an establishment of the transmediated self? Methodologically the research is based on Ronald Inglehart’s (Am. Polit. Sci. Rev. 65:991–1017, ., Culture Shift in Advanced Industrial Society. Princeton University Press, Princeton, ., Modernization and Postmodernization: Cul
50#
發(fā)表于 2025-3-30 07:17:46 | 只看該作者
Communication of Cultures by Means of Localisationcal to the successful implementation of the project of localisation. Following the idea of major/minor languages in terms of language dominance that has gained attention in translation studies (Venuti ., Cronin .) due to the usage and hegemony of English in a fast developing area of information tech
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